In the second part of the story, we learn that the human body now carries animal, mineral and botanical genes, and with contact, this increases, bringing into question the human-centric narrative that is navigated through practices of Otherkin, Therian and Skinwalkers. They are known to take over the mind of the host, controlling its mind and behaviour, leading to the nickname ‘zombie fungi’. When these fungi infect their host, they replace its tissue and sprout long, slender stems that grow outside the host’s body. The Cordyceps is a genus of parasitic fungi that grow in the larvae of insects. In this instance, they are political living memes that attach themselves to the host in order to perform a survivalist function, reminiscent of the pathogenic fungi Cordyceps. The first explores the implementation of ideas, belief and conviction that occurs through memetic artefacts. Memeplex™ | Exhibition until Feb 5, 2022, | Seventeen Gallery, London |The mixed show is two stories in one. The Programme includes Anthony Almendárez, Carla Geronimi. Curated by Carolina Lio and Katerina Matheson. Join us for this first appointment featuring videos by Francis Almendárez, Zain Wahbeh, Carla Geronimi. Deptford Film Club is a regular monthly event organised by Empathy&Risk and Looking Forward in partnership. Each year the Eternal Network evolves to include new partners – working with the ideas of exchange and telecommunications-art – ĭeptford Film Club 2: Empathy & Risk | Jan 11, 2022, | 4p – 9 pm | Deptford Film Club 2, London | An exciting screening event to start the New Year. According to Filliou, it happened when someone dropped a dry sponge into a bucket of water. But one day, on the 17th of January to be precise, Art was born. He suggested that 1,000,000 years ago, there was no art. “Art’s Birthday” | Jan 17, 2022, | An annual event first proposed in 1963 by French artist Robert Filliou. The exhibition brings together pioneer artists in computer and generative art such as Georg Nees (b.1926), Frieder Nake (b.1938), Manfred Mohr (b.1938) and Vera Molnar (b.1924), and iconic artists employing AI in their practice such as Harold Cohen (b.1928), Lynn Hershman Leeson (b.1941), and Mario Klingemann (b.1970) –
TEKS BRAVE FRONTIER TIER LIST 2019 CODE
The exploration of implementing code and AI in art in the 1970s – 80s comes at a time of rapid change in our understanding and appreciation of computer art. Participating artists: Morehshin Allahyari, Mina Cheon, Joseph Delappe, Vikram Divecha, Hasan Elahi, Negin Ehtesabian, Ben Grosser, Dina Karadžić, Michael Lorsung, Umber Majeed, Josèfa Ntjam, Nathan Shafer – ĬODE OF ARMS | Until Jan 15, 2022, | Gazelli Art House, London | The exhibition investigates the history of artificial intelligence (AI) and machine learning in art. The artworks look at electronic networks as scopophilic and performative, the asymmetric regimes of power they project, and the positive uses of “darkside” technologies. Through the Mesh: Media, Borders, and Firewalls | Until Jan 14, 2022, | NeMe Art Centre, Cyprus | A mixed exhibition curated by Patrick Lichty, Wade Wallerstein and NeMe Art Centre | 10 Dec2021 | This exhibition will feature the work of artists who initially began to investigate the cultural space of the networks, biopolitical and informatics who challenge or jam it. A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.Įvents, Exhibitions, Festivals and Conferences
0 kommentar(er)
